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You can always change an object s linetype back to ByLayer, using the method. As discussed in the Assigning a linetype section earlier in this chapter, you need to load a linetype before you can use it for the first time. To load a linetype, choose Linetype Control from the Properties toolbar. Scroll down to the bottom of the list and choose Other to open the Linetype Manager. Choose Load to open the Load or Reload Linetypes dialog box, choose the linetype file (if not the default), and choose the linetype that you want to load. Click OK. Choose the linetype again in the Linetype Manager and click OK to return to your drawing. To filter the list of linetypes, choose from the Linetype Filters drop-down list box in the Linetype Manager.

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of IS&T/SID 8th Color Imaging Conference, 108 111 (2000b) N Moroney, MD Fairchild, RWG Hunt, CJ Li, MR Luo, and T Newman, The CIECAM02 color appearance model, IS&T/SID 10th Color Imaging Conference, Scottsdale, 23 27 (2002) N Moroney, A hypothesis regarding the poor blue constancy of CIELAB, Color Res App 28, 371 378 (2003) KT Mullen, The contrast sensitivity of human color vision to red-green and blueyellow chromatic gratings, J of Physiology 359, 381 400 (1985)..

Fasting plasma glucose, mmol/l (mg/dl) 7.0 (126) Diabetes on an isolated fasting hyperglycaemia Diabetes on both fasting and 2-h hyperglycaemia

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Citigroup has pioneered and funded microlending programs around the world for close to 40 years Over the past four years, the Citigroup Foundation has awarded $11 million in grants to 145 microfinance organizations in more than 50 countries On June 2, 2003, Citigroup joined with nine other banks to adopt the Equator Principles, a voluntary set of guidelines developed by the banks for managing social and environmental issues related to the project financing of development projects in all industries The Equator Principles are based on World Bank and IFC policies and guidelines Numerous steps have been taken to strengthen employee volunteer efforts at Citigroup These include launching an internal employee volunteer Web site, holding a US national day of volunteering with 1,400 employees in 26 states participating in 45 different projects, and providing volunteer opportunities by funding Habitat for Humanity building projects in 44 US.

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cities and dozens of countries around the world Of Citigroup s $777 million in philanthropic giving in 2002, foundation and corporate grants totaled $588 million to organizations in 83 countries and territories In fact, over the last three years, the foundation s international grant making increased steadily, from $809 million in 2000 to $143 million in 2002 In addition to the foundation s support, Citigroup businesses made contributions of nearly $19 million, more than half of which were outside the United States Citigroup Foundation 850 3rd Ave, 13th Fl New York, NY 10043 Telephone: (212) 793-8451 Contact: Charles V Raymond, CEO and Pres FAX: (212) 793-5944 E-mail: citigroupfoundation@citigroupcom URL: http://wwwcitigroupcom/citigroup/corporate/foundation/indexhtm Purpose and activities: Funding priorities are economic and community development and education Second-tier interests are arts and culture, and health and human services Interest area(s).

Selection masks give you an idea of what masks are all about, but they only scrape the surface. The rest of this chapter revolves around using masks to define complex selection outlines. The most straightforward environment for creating a mask is the quick mask mode. In the quick mask mode, a selection is expressed as a rubylith overlay. All deselected areas appear coated with red, and selected areas appear without red coating, as shown in the top examples of Color Plate 9-1. You can then edit the mask as desired and exit quick mask mode to return to the standard selection outline. The quick mask mode is as its name implies expeditious and convenient, with none of the trappings or permanence of more conventional masks. It s kind of like a fast food restaurant you use it when you aren t overly concerned about quality and you want to get in and out in a hurry.

The problem with hiding and forcing colors with the slider bars is that you achieve some pretty harsh color transitions. Both Figures 13-19 and 13-20 bear witness to this fact. Talk about your jagged edges! Luckily, you can soften the color transitions by abandoning and forcing pixels gradually over a fuzziness range, which works much like the Fuzziness value in the Color range dialog box, leaving some pixels opaque and tapering others off into transparency. To taper the opacity of pixels in either the active layer or the underlying image, Altdrag one of the triangles in the appropriate slider bar. The triangle splits into two halves, and the corresponding value above the slider bar splits into two values separated by a slash, as demonstrated in Figure 13-21.

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